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    Pamela Feng, Jamie Forde and Seva Yurchenko

    Narratologies of Ahmedabad

    The Carpet of Ahmedabad's Past, Present and Possible Cities 24 Programmes on The Salt March City Dandi Crematorium by Pamela Feng Sabarmati Pol by Jamie Forde Sabarmati Business District by Seva Yurchenko Agencies Renders

    The Carpet of Ahmedabad's Past, Present and Possible Cities

    Through the study of past and present stories of Ahmedabad, India, the project conceptualises new architecture responsive to the narratives of culture, environment, and politics in a possible city.

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    Narratologies of Ahmedabad is an architectural proposal based on the inquiry into stories that haunt the city. Traced through narrative figures, structures and places, as well as our own narratives, our proposals draw out a possibility for the future while remaining grounded in the enquired narratologies of past and present.

    As outsiders, we uncovered Ahmedabad through the event of The Salt March, an act of non-violent resistance led by Mahatma Gandhi in 1930. Through the study of body and building posture the relationship between the perception of narrative event and architecture was discovered. The anatomy of narratological absence and presence resulted in a series of tectonic speculations in hauntology.

    Through exploration and measuring, the unique constitution of the present Ahmedabad was revealed. On a city scale, when put in series, the analyses of the various city territories display narratives of past visions for Ahmedabad, which today are sensed like disparate fragments strewn across the carpet of the city. The proposed Sabarmati City affords the space to bring the fragments together constituting a new possibility for Ahmedabad.

    The new assemblage for the Sabarmati City hauntology is tested technologically and ecologically through three projects: Dandi Crematorium, Sabarmati Pol and Sabarmati Business District offer programmes of life and death, dwelling and community, and economy and environment. The new series of enzymatic territories parasite as an architecture of non-violent resistance to neo-liberal compulsions along the riverfront wall to re-engage with wetness to reintroduce the liminality between city and Ganga.

    Collaborators: Dorian Wiszniewski and Kevin Adams

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